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21 years old and an aspiring nurse just trying to make life work for her. Basically this blog is focused on comics, medicine, how-to's, news and of course, humor. Can't get enough of the stuff. I also post advice and pieces about my life. Enjoy!

gaysexistheanswer:

hungarian:

someone in class asked me for my tumblr & i took her phone & told her i followed myself on her account but i actually followed gaysexistheanswer

thank you

serophtheghoust:

karkateverdeen:

lpd-says-fuck-you:

anorecsya:

i wish my thighs were as small as my self esteem ✿◕‿◕✿

If you have tiny thigh, how will you crush head of man like sparrow’s egg between?

image

this is the most inspiring post on this website

lol

ghost-of-bela-lugosi:

I like the post-punk one.

mothernaturenetwork:

NASA funds 3-D pizza printer
The proposed pizza would be topped with ‘a layer of protein’ from animals, milk or plants.

mothernaturenetwork:

NASA funds 3-D pizza printer

The proposed pizza would be topped with ‘a layer of protein’ from animals, milk or plants.

tailoroftwocities:

Afternoon Ensemble 1878-82 The Metropolitan Museum of Art “The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.”

tailoroftwocities:

Afternoon Ensemble 1878-82
The Metropolitan Museum of Art
“The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.”

callmepan:

cellostar-galactica:

panic:

Born without the use of her hind legs, Lola learned to walk just fine.

Lola don’t give a shit. Lola got places to be. 

Cats can’t be from earth this is just weird.

callmepan:

cellostar-galactica:

panic:

Born without the use of her hind legs, Lola learned to walk just fine.

Lola don’t give a shit. Lola got places to be. 

Cats can’t be from earth this is just weird.

oliviamour:

sharkswithwings:

tubesock:

Someone please tell me where this gif comes from.
I feel like it captures the essence of black America.
This is deep

^^^Its from the movie LA Riot Conspiracy, Its a spoof of everything that happened in LA During the 92 Riots. 

It does NOT capture the essence of black America. The essence of black America is not based in black on black crime.

oliviamour:

sharkswithwings:

tubesock:

Someone please tell me where this gif comes from.

I feel like it captures the essence of black America.

This is deep

^^^Its from the movie LA Riot Conspiracy, Its a spoof of everything that happened in LA During the 92 Riots. 

It does NOT capture the essence of black America. The essence of black America is not based in black on black crime.